If you talk to anybody about where to sell photography the standard answer is probably going to be "go with one of the Microstock libraries". However , if you're serious about selling your photography online, you'll often find the serious profits are made when you stop following the crowd and think out of the box.
The demand for stock images has increased phenomenally in over the past 20 years, beginning with the arrival of desktop publishing and more recently with net publishing. These days pretty much every business on the planet is publisher and a potential photo-buyer.
Not surprisingly a host of super-cheap stock libraries "the Microstocks "have sprung up to serve those markets with massive picture collections at super-discount prices. Publishers can buy photos of every possible subject for a buck or less, with many Microstock photographers happily accepting 25-50 cents per sale.
With the new developments in digital photography, virtually any photographer with the most average abilities and consumer gear is able to supply pictures to the Microstocks. And for better or worse, there's no absence of photographers prepared to deal on those terms.
For some time there were lots of photographers swearing there was serious coin to be made giving their pictures away for less than a greenback, but nowadays they have gone a bit quiet.
It looks like we could have come the full circle and the competition has reached a level that makes it difficult for the average photographer to generate reliable income with Microstock.
I am sure there are some doing rather well with Microstock, but you can be sure they're all proficient photographers with massive image collections, who are constantly creating fresh and new material. They're putting real effort and time into researching their markets, and they are likely investing seriously in each new shoot.
For the most part, the concept of any photographer just submitting thousands of average pictures to a Microstock library and making big money are well past.
Another major drawback that's emerged lately with the Microstock libraries is, as soon as someone does come up with a stock photo idea or idea that actually sells well, it gets copied by lots of other Microstock photographers. The libraries themselves facilitate this, publishing live lists of photos which are currently being downloaded the most, so that the lazy photographer can just throw together a fast copy, upload it and exploit the other photographer's work.
So even if you do the hard-yards and find some untapped market, then put in the effort and time to create prime quality original commercial content, chances are you will not have the niche to yourself for long. If it works, it'll be copied
So the real question must be asked: if you have got to put that kind of time and effort and cash into shooting new stock photographs, does it honestly make sense to dump them for a buck each?
Wouldn't it make more sense to sell stock photographs where you face less competition and you actually get paid a fair and reasonable price, each time somebody uses your image?
Plenty of photographers are starting to think so, and more and more, when people ask where to sell photography online, the answer's 'find a rights managed library'.
With rights managed you license the image for a specific use for a specific period. The buyers pay only for the rights they need , so it's a better deal for them, and a superior deal for the photographers. Rather than making 50 cents or less for someone using your image, you can make $100-$200 or more. Sometimes a whole lot more!
Since you're controlling the usage as well as the sales, you can offer the top-end photo-buyers a history of the image, and offer those buyers who need it, first rights, exclusive use, and all the assurances the high-end users need for the best paying jobs.
So if you're serious about selling photographs online, you really need to choose what sort of photography business you want.
One where you battle with thousands of other photographers to mass produce images for a market that expects to purchase your images for a few bucks each?
Or one that caters to a market that values your talents and creativeness, and is prepared to pay well for quality photographs that truly talk to their audience?
Either way, the business has changed and the stock image sales are going to go to the savvy photographers who research their markets and create high quality original material.
So at the end, isn't it just a matter of deciding what you want to get paid for it?
The demand for stock images has increased phenomenally in over the past 20 years, beginning with the arrival of desktop publishing and more recently with net publishing. These days pretty much every business on the planet is publisher and a potential photo-buyer.
Not surprisingly a host of super-cheap stock libraries "the Microstocks "have sprung up to serve those markets with massive picture collections at super-discount prices. Publishers can buy photos of every possible subject for a buck or less, with many Microstock photographers happily accepting 25-50 cents per sale.
With the new developments in digital photography, virtually any photographer with the most average abilities and consumer gear is able to supply pictures to the Microstocks. And for better or worse, there's no absence of photographers prepared to deal on those terms.
For some time there were lots of photographers swearing there was serious coin to be made giving their pictures away for less than a greenback, but nowadays they have gone a bit quiet.
It looks like we could have come the full circle and the competition has reached a level that makes it difficult for the average photographer to generate reliable income with Microstock.
I am sure there are some doing rather well with Microstock, but you can be sure they're all proficient photographers with massive image collections, who are constantly creating fresh and new material. They're putting real effort and time into researching their markets, and they are likely investing seriously in each new shoot.
For the most part, the concept of any photographer just submitting thousands of average pictures to a Microstock library and making big money are well past.
Another major drawback that's emerged lately with the Microstock libraries is, as soon as someone does come up with a stock photo idea or idea that actually sells well, it gets copied by lots of other Microstock photographers. The libraries themselves facilitate this, publishing live lists of photos which are currently being downloaded the most, so that the lazy photographer can just throw together a fast copy, upload it and exploit the other photographer's work.
So even if you do the hard-yards and find some untapped market, then put in the effort and time to create prime quality original commercial content, chances are you will not have the niche to yourself for long. If it works, it'll be copied
So the real question must be asked: if you have got to put that kind of time and effort and cash into shooting new stock photographs, does it honestly make sense to dump them for a buck each?
Wouldn't it make more sense to sell stock photographs where you face less competition and you actually get paid a fair and reasonable price, each time somebody uses your image?
Plenty of photographers are starting to think so, and more and more, when people ask where to sell photography online, the answer's 'find a rights managed library'.
With rights managed you license the image for a specific use for a specific period. The buyers pay only for the rights they need , so it's a better deal for them, and a superior deal for the photographers. Rather than making 50 cents or less for someone using your image, you can make $100-$200 or more. Sometimes a whole lot more!
Since you're controlling the usage as well as the sales, you can offer the top-end photo-buyers a history of the image, and offer those buyers who need it, first rights, exclusive use, and all the assurances the high-end users need for the best paying jobs.
So if you're serious about selling photographs online, you really need to choose what sort of photography business you want.
One where you battle with thousands of other photographers to mass produce images for a market that expects to purchase your images for a few bucks each?
Or one that caters to a market that values your talents and creativeness, and is prepared to pay well for quality photographs that truly talk to their audience?
Either way, the business has changed and the stock image sales are going to go to the savvy photographers who research their markets and create high quality original material.
So at the end, isn't it just a matter of deciding what you want to get paid for it?
About the Author:
Matt Brading contributes articles on how to market photography to GlobalEye Photo Stock Agency. If you're looking where to sell photography, Matt recommends the co-operative approach of GlobalEye, where like-minded photographers have been working together to increase exposure, reduce costs and sell stock photos since 1998.
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